- Say Cheese all 12 endings depend on the photos you take and the headlines they create.
- Choose one route per run instead of mixing unrelated photo targets.
- Time your shots around character reactions, rescues, confrontations, and money exchanges.
- Restart the story after an ending so each attempt stays focused and easier to track.
- Check the endings menu to confirm which outcomes you have already discovered.
Say Cheese all 12 endings: How the Camera Controls the Story
Say Cheese uses photography as its main story mechanic. The small world is filled with circles, squares, creatures, objects, and short interactions. Your camera turns those moments into news, and the news changes how the story develops. Because of that design, Say Cheese all 12 endings are best approached as separate photo routes rather than one long sequence.
The most important habit is patience. Avoid taking random pictures whenever a character appears. Wait for a clear action, reaction, object, or group arrangement, then frame the shot carefully. Some moments only last briefly, so missing the event can require a restart or another attempt.
Video Highlights:
- Learn how the camera changes the story and creates different headlines.
- Review the photo targets connected to all 12 known endings.
- Use restart runs to isolate one ending route at a time.
- Improve timing for special moments, group photos, and character reactions.
| Camera principle | What to do | Why it matters |
|---|---|---|
| Wait for action | Photograph events instead of idle characters | Stronger story signals guide the route |
| Frame carefully | Keep the intended character or object visible | Incorrect framing can change the result |
| Avoid random shots | Do not mix unrelated targets during one run | Mixed headlines may push toward another ending |
| Restart when needed | Begin a clean attempt for a different outcome | Each route becomes easier to track |
| Review progress | Use the endings menu after each discovery | Prevents unnecessary repeat runs |
Story Control
Your photos become news, and the news influences character behavior and later events.
Timing
Several routes require a reaction, rescue, confrontation, or exchange captured at the right moment.
Framing
Group shots and character-specific endings depend on who is visible inside the camera frame.
Route Discipline
Focus each run on one idea so unrelated photos do not redirect the story.
Treat every run like a short investigation. Decide which ending you want before taking the first meaningful photo, then ignore distractions that do not support that route.
Photo Routes for the First Six Endings
The first six routes cover conflict, creatures, objects, empty scenery, group framing, and a specific frightened character. These endings use different camera behaviors, so following the right target is more reliable than simply taking a large number of pictures.
| Ending | Main target | Photo requirement or route |
|---|---|---|
| Viral | Circle-and-square conflict | Photograph moments that increase suspicion, fear, arguments, or confrontation |
| Cricket | Small cricket or grasshopper-like creature | Keep photographing the creature so it becomes the main story |
| TV | Television | Focus repeated photos on the television instead of other events |
| Breaking News | Empty grass or blank scenery | Take five photos of essentially nothing useful |
| Reverse | Large group | Capture seven people in one photo |
| Scared | Frightened circle | Take three photos of the scared circle without the frightening square |
Choose a Route Before Shooting
Select one of the six targets above and commit to it for the run. For the viral route, look for rising tension between circles and squares. For the cricket or TV routes, keep the small creature or television at the center of your coverage.
Wait for the Correct Scene
Do not rush the shutter. The viral route works around visible fear or conflict, while the scared route requires the frightened circle without the square that caused the fear. Scene context matters as much as the subject.
Meet the Count or Framing Rule
The breaking news route needs five photos of empty scenery. The reverse route needs seven people in one frame. The scared route needs three suitable pictures. Count your shots carefully.
Review the Result and Restart
Once the ending appears, confirm it in the endings menu. Restart before pursuing another target so the next run does not inherit a conflicting news narrative.
The reverse and scared endings are especially sensitive to composition. A group shot with too few people, or a scared-circle photo that includes the square, may not count toward the intended route.
Photo Routes for the Remaining Six Endings
The remaining six endings reward positive coverage, peace-focused reporting, character attention, restraint, repeated dialogue moments, and precise timing. Several of these routes are easier when you stop treating every unusual event as a reason to take a picture.
| Ending | Main target | Recommended approach |
|---|---|---|
| Good | Square rescuing two people | Photograph the positive rescue near the corner of the scene |
| Peace | Characters holding peace signs | Repeatedly photograph the peace-sign moments |
| Hot | Character treated as attractive or “hot” | Keep the camera focused on that character |
| Eyes Closed | Violence or fighting | Put the camera down when violence begins |
| Say Cheese | Character or moment saying “say cheese” | Photograph the correct moment three times |
| Follow the Money | Money handoff before chaos | Capture the exchange at the right moment |
The good and peace routes are built around positive signals. Instead of amplifying suspicion or violence, keep your coverage centered on rescue actions or characters asking for peace. The hot route similarly depends on sustained attention, so switching repeatedly to unrelated events can weaken the intended direction.
The eyes closed ending is different because the key action is restraint. When violence starts, stop photographing the fighting. This route shows why taking no picture can be as important as taking one.
The Say Cheese ending requires three pictures of the relevant character or interaction. Make sure the subject is actually the moment where “say cheese” occurs rather than a nearby character. For follow the money, watch what happens immediately before the larger chaos and capture the handoff rather than the aftermath.
Ending Route Checklist:
- Photograph the square rescuing two people for the Good ending
- Capture peace-sign characters repeatedly for the Peace ending
- Keep attention on the character associated with the Hot ending
- Stop photographing violence for the Eyes Closed ending
- Capture the Say Cheese moment three times
- Photograph the money exchange before chaos begins
The strongest runs have a clear editorial theme: positive events for Good, peace symbols for Peace, silence during violence for Eyes Closed, and precise observation for Follow the Money.
Best Order for Unlocking All 12 Endings
There is no need to force all outcomes into one playthrough. A clean, repeatable route system saves time and makes mistakes easier to diagnose. Start with endings that have simple, visible targets, then move to timing-sensitive outcomes.
| Suggested order | Ending | Reason to attempt it here |
|---|---|---|
| 1 | TV | The target is a clearly defined object |
| 2 | Cricket | A small but recognizable creature provides a focused route |
| 3 | Breaking News | The five-photo requirement is easy to count |
| 4 | Peace | Repeated peace-sign coverage is straightforward |
| 5 | Say Cheese | Requires three correctly identified moments |
| 6 | Scared | Builds precision with subject-only framing |
| 7 | Reverse | Requires careful group positioning |
| 8 | Good | Depends on finding the rescue scene |
| 9 | Hot | Requires sustained attention on one character |
| 10 | Follow the Money | Timing matters before the chaos begins |
| 11 | Eyes Closed | Requires deliberate non-action during violence |
| 12 | Viral | Best saved for last because it can conflict with calmer routes |
This order is a practical recommendation, not a required progression. If you naturally encounter a target first, you can pursue it immediately. The main rule is to avoid combining routes with opposite goals. For example, taking conflict photos while attempting Eyes Closed can redirect the story, while photographing empty scenery during a character-focused route may produce unrelated news.
After each ending, open the endings menu and record the result. Marking completed routes prevents repeated attempts and helps identify which category still needs a focused run.
Common Mistakes and Troubleshooting
Most failed attempts come from incorrect timing, weak framing, or mixed story signals. Before restarting, identify which rule was missed. This is usually faster than repeating the same route without changing your approach.
| Problem | Likely cause | Fix |
|---|---|---|
| The expected ending does not appear | Photos supported different story themes | Restart and remove unrelated shots |
| Scared route fails | The square appears in the frame | Reframe on the circle alone |
| Reverse route fails | Fewer than seven people are visible | Wait for a denser scene and widen the composition |
| Say Cheese route fails | The wrong character or moment was photographed | Confirm the dialogue moment before each shot |
| Breaking News route fails | The scenery included a useful subject | Use truly empty grass or blank scenery |
| Eyes Closed route fails | Fighting was photographed | Stop shooting when violence begins |
| Follow the Money route fails | The exchange was missed or photographed too late | Watch the pre-chaos moment and capture the handoff |
Use the following process whenever a route fails:
- Identify the exact target or behavior the ending requires.
- Restart instead of trying to repair a mixed storyline.
- Keep the camera focused on one theme.
- Count required photos aloud or in a note.
- Check the frame before pressing the shutter.
- Confirm the ending menu after the run.
Do not assume that more photos will correct a failed route. Extra pictures can create additional headlines and move the story farther from the ending you want.
Q: How do I unlock Say Cheese all 12 endings?
Complete separate story runs focused on the required photo target or behavior for each ending. Use the endings menu to track discoveries and restart before changing routes.
Q: Which ending is easiest to attempt first?
The TV, Cricket, and Breaking News routes are good early choices because they use clear targets or a simple five-photo requirement.
Q: How many photos are needed for the Scared ending?
Take three photos of the scared circle, making sure the square that frightened the character is not included in the frame.
Q: What should I do for the Eyes Closed ending?
When violence begins, stop photographing the fighting. This route depends on avoiding coverage of the violent event rather than documenting it.